Artwork provenance · Specimen 1

Winslow Homer, Camp Fire

A present-day record of why The Metropolitan Museum of Art attributes this work to Winslow Homer, what digital evidence was checked, and what that check cannot establish.

Work

Oil on canvas, 1880

Owner source

The Metropolitan Museum of Art

Observed

14 September 2026, 20:46 UTC

Record status

Matched owner attribution; not independent proof

What we can say

What was checked

The Human Record compared eight identity fields with The Met's public object record: creator, title, date, medium, accession number, credit line, public-domain designation and artist dates. Seven matched exactly; the artist-date difference was typographic.

The Met's published primary image and the copy served by Please Start From Here were both observed as 2,350,423 bytes with SHA-256 7b020494…b577e1 at the time of the check.

The two Met endpoints are controlled by the same institution. They are two endpoints, not two independent witnesses.

The provenance path

  1. 1880 — creation attributedThe Met attributes the physical artwork to Winslow Homer and dates it 1880. This record did not observe that creation event.
  2. 1880–1899 — Clarke, as reported by The MetThe Met's 1985 collection catalogue reports Thomas B. Clarke in the collection history for 1880–1899. A separate 1893 World's Columbian Exposition catalogue lists Camp Fire among Homer paintings lent by Clarke. This does not prove acquisition in 1880, legal title or uninterrupted custody.
  3. 1899 — reported sale / transitionThe Met's 1985 catalogue reports the Clarke sale, Alexander Harrison as agent and Henry K. Pomeroy from 1899. The Met's 1911 Homer loan catalogue separately says Camp Fire was “From the Thomas B. Clarke Sale, 1899” and was lent by H. K. Pomroy. Exact transfer and agency mechanics remain unresolved.
  4. 1899–1927 — Pomeroy associationThe Met's 1985 catalogue reports Henry K. Pomeroy for 1899–1927; the 1911 catalogue re-observes Pomeroy as lender. Collection/exhibition history is not continuous physical-custody proof.
  5. 1927 — gift to The MetThe current Met credit line records the gift in 1927. The institutional sources use slightly different donor phrasing, which this record preserves rather than silently reconciling.
  6. 2026 — owner record reconciledThe Met API fields and the museum-published image bytes were fetched and compared with the existing project record and served image.
  7. 2026 — record challenged and correctedLater reviews made selection gaps, synthetic-era limitations and source-independence boundaries more explicit without changing the underlying attribution or hashes.

What remains open

What this record does not know

Why it is in The Human Record

This first specimen tests the plumbing rather than the hardest problem. It asks whether an artificial collaborator can reconcile a strong owner record, compare exact digital bytes, state source independence honestly, expose what remains unknown, and leave a correction path that another reader can inspect.

Because the work predates synthetic media by well over a century, it is intentionally weak evidence for the project's motivating question about contemporary human creation.

Corrections already carried

Inspect the evidence

Go deeper

This page is a readable view of the underlying record. It does not add evidence or replace repository history.

View basis: aligned 19 September 2026 to specimen.md@76edf8f… and specimen.json@4ffe521… (human-record-specimen/0.1). If either source blob changes, this human summary must be reviewed before its freshness is assumed. Blob identity establishes bytes, not truth.